The Laois Arthouse Gallery, Stradbally, Co. Laois cordially invites you to the opening reception of And Then I Paint, an exhibition of paintings by KCAT Studio artist Lorna Corrigan on Saturday 15 October 2016 at 3pm. Official opening by Elizabeth Cope, artist, Paulstown, Co. Kilkenny. The exhibtion runs until 4 November 2016. Opening times: Tuesday and Thursday 1-5pm and 5.30-8pm, Saturday 10am-1pm, except on Bank Holidays, entry through library. Wednesday and Friday 1-4pm, entry through Laois Arthouse. For more details contact 057-8664033 or firstname.lastname@example.org
We are delighted that all KCAT Studio artists have work in Perceptions 2016: The Art of Citzizenship. The exhibtion features selected artworks from worldwide submissions from artists working in supported studios. Check out the Perceptions 2016 website to see dates and opening times of the nine different venues in Cork City.
The ‘Lost and Found’ exhibition at Filmbase in Temple Bar, Dublin opens on 1 Septmebr 2016 @ 5pm. It includes work by KCAT Studio artists Andrew Pike, Declan Byrne, Eileen Mulrooney, Fergus Fitzgerald, Jack Foskin, Jason Turner and Mary Cody and continues until 11 September.
The Laughing Heart || April 28 – May 14 2016 || Galway Arts Centre
Opening on Thursday, 28 April 2016 18:00
Thomas Barron | Declan Byrne | Mary Cody | Sinéad Fahey | Fergus Fitzgerald | Karl Fitzgerald | Andrew Pike
“there is a light somewhere”
The Laughing Heart is a group exhibition featuring seven artists from KCAT Studios, Callan, Kilkenny. The exhibition has been curated as a result of studio visits by GAC’s curator Maeve Mulrennan over the past eight months. Although a broad range of practices are represented, The Laughing Heart focuses on the duration and process involved in studio based practice through painting, sculpture and animation.
The paintings of Thomas Barron endure a process from figurative mark-making into the abstract, with each large canvas undergoing countless layers of drawing and painting. Declan Byrne’s work in painting and sculpture mediate on the materiality of paint itself, with colour broken down, echoing pointillist techniques. Mary Cody’s painting has developed over her career to incorporate different materials such as wool working with multiple layers of paint. The abstract work speaks of time, landscape and ritual, with Cody making visible the lengthy process of layering materials. Karl Fitzgerald’s semi-abstract paintings on paper also focus on practice, time and ritual, with new work being made by the artist each day he spends in the studio. It is Karl’s work that links again to Bukowski’s The Laughing Heart: ‘there is a light somewhere’. Each work, featuring a sunset or sun rise, and most often a body of water, may, on their own, present as melancholic, particularly with Karl’s choice of colour. However it is when a whole week, month, or indeed a year’s worth of daily paintings are presented that the viewer can contemplate the subtle changes each day. Also the fact that there are many, and many more to come, gives an overall optimism. Fergus Fitzgerald combines text and image to present a multi-faceted approach to landscape for the audience; encouraging engagement and careful attention to detail. Sinéad Fahey’s work is full of colour and light. Playing with composition and perspective, Sinéad’s everyday observations are transformed into a kaleidoscopic world, leading the viewer to pay close attention to form, line and texture. The ever sardonic Andrew Pike presents two animations, referencing global politics via tennis and a love affair in one, and James Joyce and friends in another. Plays on words, puns and literal representations of metaphors, delivering Pike’s caustic wit via the lengthy and painstaking process of stop-motion animation.
Galway audiences will be familiar with Andrew Pike and Sinéad Fahey, who co-designed Macnas’ 2006 parade, The Big River, working with familiar faces such as Dave Donovan and Pete Casby. The parade also toured to Callan and the Kilkenny Arts Festival in 2006.
The title of the exhibition comes from the poem of the same name by Charles Bukowski. The title was chosen to represent the different processes of each artist: the poem speaks of light, duration and affirmation. What was apparent from the very beginning of the curation process was the dedication and focus each artist brings to their practice. Each artist works fulltime in KCAT Studios, something which is reflected in their multiple past solo and group exhibitions and projects. KCAT Studio, part of the KCAT Arts and Study Centre Kilkenny, supports each artist and their practice.
The Laughing Heart will open at 6pm on Thursday April 28th and run until Saturday 14th May.
Studio Artist Fergus Fitzgerald marked Shakespeare’s 400th Anniversary last weekend, 23rd April, 2016 in word and paint.
In response to Shakespeare’s Sonnet 19, Fergus Fitzgerald has created a unique response though painting and text. The strong visual imagery echos the Sonnet which Fergus overlays with text including his own reflection on time.
Shakespeare’s SONNET 19
Devouring Time, blunt thou the lion’s paws,
And make the earth devour her own sweet brood;
Pluck the keen teeth from the fierce tiger’s jaws,
And burn the long-lived phoenix in her blood;
Make glad and sorry seasons as thou fleet’st,
And do whate’er thou wilt, swift-footed Time,
To the wide world and all her fading sweets;
But I forbid thee one most heinous crime:
O, carve not with thy hours my love’s fair brow,
Nor draw no lines there with thine antique pen;
Him in thy course untainted do allow
For beauty’s pattern to succeeding men.
Yet, do thy worst, old Time: despite thy wrong,
My love shall in my verse ever live young.
Fergus Fitzgerald responds in text:
Controlling time from being devoured and
saving it is important for me.
I am keen on it for hours
I want the world to be relaxed though
time is important.
Most Irish people are good at being late
from an Irish point of view.
I remember I was once annoyed when
things were delayed at starting but I
once became more reasonable on it
It is with great sadness that we share the news that George McCutcheon died peacefully at his home today, on Friday 2nd October 2015 with his loving friends, Valti Rozendaal, Colum Lydon and family and the Camphill Community, Callan.
George’s passion for the arts is what started the vision of KCAT. His incredible drive to create in the visual arts and theatre has inspired many, both in KCAT and internationally. We are grateful for George sharing his friendship and the richness of his life with us.
George will repose in KCAT, Mill Lane, Callan from 3pm on Saturday 3rd October followed by a gathering at 8.30pm to which all are welcome.
His funeral will be held by the Rev Ian Coulter in Castalia, Ballytobin at 3pm on Monday 5th October, with burial afterwards in Kilbride Cemetery.
Flowers are welcome.
Opening Saturday 8th August at 3 pm
Venue: Glasshouse Gallery, 15 John Street Lower, Kilkenny
Exhibition continues until 16th August 2015
Open 12-5.30 daily
‘Invitations’ is a visual art exhibition at the Glasshouse Gallery in Kilkenny by thirteen KCAT Studio Artists and thirteen of their peers from ten different countries. Each of the KCAT Studio Artists invited an artist from an organisation with which they have had contact over the last sixteen years.
Exhibiting artists and organisations:
Thomas Barron, Declan Byrne, Francis Casey, Mary Cody, Lorna Corrigan, Sinéad Fahey, Karl Fitzgerald, Jack Foskin, Eileen Mulrooney, Andrew Pike, Jason Turner, Margaret Walker, Fergus Fitzgerald (KCAT Art & Study Centre, Callan, Co. Kilkenny, Ireland), Lisa Schmidt (Cooperations, Wiltz, Luxembourg), Laan Irodjojo (Herenplaats, Rotterdam, the Netherlands), Magnus Östling (INUTI, Stockholm, Sweden, Mary Holohan (Arts Ability, New Ross, Co. Wexford, Ireland), Amber Harriman (In-Definite Arts, Calgary, Canada), Matthew Watson (Pyramid of Arts, Leeds, United Kingdom), Christoph Eder (Atelier de la Tour, Treffen, Austria), Antero Laine (Kaarisilta, Helsinki, Finland),Cameron Morgan (Project Ability, Glasgow, Scotland), John Cull (Rocket Artists, Brighton, United Kingdom), Bettina Arelt (die Schlumper, Hamburg, Germany), Stephen Murray (Cuig Studio, Mayfield Arts Centre, Cork, Ireland)and Pascale Schuster (SKID, Überlingen, Germany).
Image: Mary Cody, Turquoise Wave (detail), Acrylic on Canvas, 60x60cm, 2013